Book  

Representations of Flemish Immigrants on the Early Modern Stage. Studies in Performance and Early Modern Drama. Taylor & Francis, 2018.  

Book Chapters  

“Tinky Winky’s Got a Brand New Bag: The Year’s Work in Teletubby Studies,” in Teleparody: Predicting/Preventing the TV Discourse of Tomorrow, Jill Hague and David Lavery, Editors, Wallflower Press, 2002.

 "Milton and the Winds of Folly," in Arenas of Conflict: Milton and The Unfettered Mind, Charles W. Durham and Kristen Pruitt McColgan, Editors, Susquehanna University Press (1997): 227-38.

"'Nature Taught Art': The Topos of Art and Nature in Paradise Regained," in Spokesperson Milton: Voices in Contemporary Criticism, Charles W. Durham and Kristen Pruitt McColgan, Editors, Susquehanna University Press (1994): 217-28.  

Journal Articles   “Selling Souls and Vending Paradise: God and Commerce in A Confederacy of Dunces,” The Southern Quarterly 47.1 (2009): 7-22.  

“’The Game’s Afoot’: Heinlein and Holmes,”  The Heinlein Journal 20 (2007): 23-25.  

 “’The Great Globe Itself’: Shakespearean Allusion in Heinlein’s Fiction,” The Heinlein Journal 18 (2006): 28-31.  

“Have Monomyth, Will Travel: The Hero’s Journey in Heinlein’s Juvenile Novels,” The Heinlein Journal 17 (2005): 9-14.  

“Sir Edmund Tilney, Sir Thomas More, and the Dutch,” in Shakespeare and the Low Countries, Douglas A. Brooks and A.J. Hoenselaars, Editors, Shakespeare Yearbook 15 (2005): 49-64.  

"’Shall I Betray My Brother?’": Anti-Alien Satire and its Subversion in The Shoemaker’s Holiday,” Tennessee Philological Association Bulletin 37 (2000): 43-54.  

"'Humors to Delight': Menaphon as Burlesque," Publications of the Arkansas Philological Association (PAPA) 21.1 (1995): 69-75.  

"'The Recovery of the Sacred Candlestick': Jewish Imagery and the Problem of Allegory in The Marble Faun," PAPA 18.2 (1992): 15-27.

Book Reviews  Rev. of Costuming the Shakespearean Stage: visual Codes of Representation in Early Modern Theatre and Culture, by Robert L. Lubin.  Early Modern Studies Journal 5 (2013).  Online.  

Rev. of Immigrants in Tudor and Stuart England, edited by Nigel Goose and Lien Luu.  Seventeenth-Century News: 66:3-4 (2008).  Online.  

Rev. of The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage, by Garrett A. Sullivan, Jr.  Seventeenth-Century News 58.1-2 (2000): 76-78.  

Reference Article   “Ignatius J. Reilly,” in Student’s Encyclopedia of American Literary Characters, Matthew J. Bruccoli, Judith S. Baughman, and Charles Brower, Editors, 4 vols.  New York: Facts on File, 2008.  

Other Academic Publications  “Heinlein Studies II: Roundtable:  Heinlein and the Golden Age,”  The Heinlein Journal 20 (2007): 26-44.   Participant, with Bill Patterson, et al.

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“’I Thought I Saw Lauren Bacall’: The Clash Go to the Movies,” Popular Culture Association (PCA), Indianapolis, IN, 28-31 April 2018.  

“Jail Guitar Doors: Representations of Prison by The Clash,” PCA, San Diego, CA, 12-15 April 2017.  

“Charlie Surfs Straight to Hell”: Southeast Asian Refugees and The Clash.  Popular Culture Association in the South (PCAS), Nashville, TN, 13-15 October 2016.  

“Race and The First Clash Single,” PCA, New Orleans, LA, 1-4 April 2015. 

“I Told You So”: The Clash’s “English Civil War” and British Fascism,” PCAS, New Orleans, LA, 2-4 October 2014.  

“’What Are We Gonna Do Now?’: ‘Clampdown,’ Racism, and Fascism,” PCA, Chicago, IL, 16-19 April 2014.  

“‘See-Through Shields Are Walled Across The Way That You Came In’: The Clash, The Battle of Lewisham, and “Groovy Times,” PCA, Washington, D.C., 27-30 March 2013.  

“The Battle of Lewisham as the Inspiration for ‘Groovy Times’ by The Clash,” PCAS, Nashville, TN, 27-29 September 2012.  

“Englishmen For My Money and the Sublimation of Anti-Immigrant Satire,” Renaissance Society of America (RSA), Miami, FL, 22-24 March 2007.  

“’Ipse Dixit’: Literary Allusion in Heinlein’s Juveniles,” PCA, Boston, MA, 4-7 April 2007.  

“’The Game’s Afoot!’: Heinlein and Holmes,” PCA, Atlanta, GA, 12-15 April 2006.  

“’The Great Globe Itself’: Shakespearean Allusion in Heinlein’s Fiction,” PCA, San Diego, CA, 23-26 March 2005.  

"It was a Flemynge hyght Hansy": Skelton's Magnyfycence and Henrican Anti-Flemish Satire,” South Atlantic Modern Language Association (SAMLA), Roanoke, VA, 12-14 November 2004.  

“Have Monomyth, Will Travel: The Hero’s Journey in Heinlein’s Juvenile Novels,” PCA, San Antonio, TX, 7-10 April 2004.  

“’This Kind of Thing’: ‘Literary Chitchat’ in Ruth Rendell’s Chief Inspector Wexford Novels,” PCAS, Charlotte, North Carolina, 3-5 October 2002.  

“God and Commerce in A Confederacy of Dunces,” Tennessee Philological Association (TPA), Murfreesboro, Tennessee, 21-23 February 2002.  

“Making Sense of  An Enterlude of Welth and Helth: or How I Stopped Worrying and Learned to Love Textual Criticism,” SAMLA, Atlanta, Georgia, 9-11 November 2001.

  “My Name is Comus, and I’m an Alcoholic,” Conference on John Milton, Murfreesboro, Tennessee, 19-20 October 2001.  

“’These Swilling Epicures Shall Taste of Death’: Anti-Flemish Satire in A Larum for London,” RSA, Chicago, Illinois, 29-31 March 2001.  

“(Sir) Thomas (More) the Tank Engine?  Sodor as Industrial Utopia,” Society for Utopian Studies, Vancouver, Canada, 29-21 October 2000.  

“The Hero With a Thousand Bowties: Pee-Wee’s Big Monomyth,” PCAS, Nashville, Tennessee, 5-7 October 2000.  

“’Devoured by Aliens!’: Flemish Appetites and English Anxieties,” Medieval-Renaissance Conference XIV, Wise, Virginia, 21-23 September 2000.  

“’Shall I Betray My Brother?’ Anti-Alien Satire and its Subversion in The Shoemaker’s Holiday,” TPA, Cookeville, Tennessee, 24-26 February.  

“’Bastards of Dung’: Flemish Excrement and the English Imagination,” SAMLA, Atlanta, Georgia, 4-6 November 1999.  

“The Toad at Eve’s Ear Redux,” Conference on John Milton, Murfreesboro, Tennessee, 21-23 October 1999.  

"Thomas Deloney, the 'Complaint of the Yeomen Weavers Against Immigrant Weavers,' and the Riots of 1595," South Central Renaissance Conference (SCRC), Savannah, Georgia, 8-10 April 1999.  

"'Might Could' and 'Might Ought To': The Double Modal in Arkansas--An Informal Introduction," Arkansas Philological Association (APA), Fayetteville, Arkansas, 11-12 October 1996.  

"'The Perversion of Having to GO TO WORK': Anti-capitalism in A Confederacy of Dunces," College English Association (CEA), New Orleans, Louisiana, 3-6 April 1996.  

"Optical Image Clusters in the Major Poems of Sir John Davies," SCRC, Oklahoma City, Oklahoma, 6-8 April 1995.  

"'Humors to Delight': Menaphon as Burlesque," APA, Hot Springs, Arkansas, 4-5 November 1994.  

"'Too Many Aliens in this Realm':  Wealth and Health and the Closing of the Stranger Churches in Marian London,"  APA, Arkadelphia, Arkansas, 12-13 November 1993.  

"Milton and the Winds of Folly," Southeastern Conference on John Milton, Murfreesboro, Tennessee, 21-23 October 1993.  

"The Allegory of Lust: 'Bytuene Mersh & Aueril' and Autoeroticism," Rocky Mountain Medieval and Renaissance Association Conference (RMMRAC), Flagstaff, Arizona, 8-11 April 1993.  

"Bartholmew Fair and the Feast of Fools," SCRC, San Antonio, Texas, 25-27 March 1993.  

"'Turnip-Eating Rogues': Anti-Dutch Sentiment in Renaissance Drama," APA, Eureka Springs, Arkansas, 6-7 November 1992.  

"Passive Voices / Active Voices: Sexual Politics and the Changing of the Archetype of the Heroine in the Disney Feature-length Animated Films," written with Sally McCluskey, PCAS, Augusta, Georgia, 1-3 October 1992.  

"Honest Fools and Honorable Murderers: the Subversion of Language in Othello," RMMRAC, Las Cruces, New Mexico, 9-11 April 1992 and SCRC, Monroe, Louisiana, 2-4 April 1992.  

"'The Recovery of the Sacred Candlestick': Jewish Imagery and the Problem of Allegory in The Marble Faun," APA, Mountain View, Arkansas, 22-23 November 1991.   "'Nature Taught Art': the Topos of Art and Nature in Paradise Regained," Southeastern Conference on John Milton, Murfreesboro, Tennessee, 24-26 October 1991.

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